Mitchell Ayres: The Musical Architect Behind Perry Como
In the golden age of radio and television, the synergy between a vocalist and their conductor could define an entire era of entertainment. Mitchell Ayres was one such maestro, a versatile conductor and musical director whose career spanned the most influential recording labels and television networks of the mid-20th century.
Early Career and Studio Success
During World War II, Ayres established himself as a formidable talent in the studio. He began by conducting for prominent vocal groups, including the legendary Andrews Sisters. His expertise soon led him to Columbia Records, where he served as a musical director. In this role, he collaborated with some of the most iconic names in music history, including Benny Goodman, Frank Sinatra, Pearl Bailey, Doris Day, and Dinah Shore.
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The Partnership with Perry Como
The professional relationship between Mitchell Ayres and Perry Como began in 1944. Ayres was initially brought in to conduct a demo recording for a radio program hosted by Como, which eventually evolved into The Chesterfield Supper Club. Beyond their professional ties, the two men shared a personal bond through their mutual love of golf.
In a testament to their friendship, Como offered Ayres the position of conductor for the "Supper Club" broadcasts in 1948 while the two were playing a round of golf. This partnership extended into the recording studio with RCA Victor. Interestingly, the phrasing and pronunciation Como used for recordings of "Kol Nidrei" and "Eli, Eli" were taught to him by the son of a rabbi, who was a member of Ayres' orchestra.
Transition to Television
As entertainment shifted from radio to the screen, Ayres and his orchestra transitioned with Como. When The Chesterfield Supper Club moved to television in late 1948, the orchestra became a permanent part of the cast. They continued their collaboration through various iterations of Como's television presence, moving from CBS to NBC for The Perry Como Show and Perry Como's Kraft Music Hall.
While based at CBS, Ayres and his ensemble also contributed to TV's Top Tunes, a program that served as a summer replacement for Como's regular show. This professional alliance remained a staple of Como's programs until 1964.
The Hollywood Palace and Later Years
By 1963, after two decades of consistent broadcasting, Perry Como expressed uncertainty regarding his future in regular television. This uncertainty prompted Ayres to explore new opportunities, leading him to accept the role of conductor for The Hollywood Palace, which premiered in January 1964.
Ayres' work on The Hollywood Palace earned him critical acclaim and industry recognition, resulting in Emmy award nominations in 1966 and 1968. He continued his work with the program until his passing.
Key Facts
- Columbia Records Era: Conducted for Frank Sinatra, Benny Goodman, and Doris Day.
- The Como Connection: First collaborated with Perry Como in 1944 for a radio demo.
- Television Legacy: Conducted for The Chesterfield Supper Club, The Perry Como Show, and Perry Como's Kraft Music Hall.
- Accolades: Received two Emmy nominations (1966 and 1968) for The Hollywood Palace.
- RCA Victor: Provided the orchestral backing for Como's recordings, including "Kol Nidrei."
| Period/Year | Project/Employer | Role/Achievement |
|---|---|---|
| WWII Era | Columbia Records | Musical Director |
| 1944 | The Chesterfield Supper Club | Initial Demo Conductor |
| 1948 | The Chesterfield Supper Club | Official Conductor |
| 1948–1964 | CBS & NBC | Orchestra Leader for Perry Como |
| 1964–Death | The Hollywood Palace | Conductor (Emmy Nominated) |
Frequently Asked Questions
How did Mitchell Ayres and Perry Como first meet?
They first associated in 1944 when Ayres was asked to conduct a demo recording for a radio program that Como was hosting.
What role did Ayres play at Columbia Records?
Ayres served as a musical director, working with a variety of high-profile artists such as Frank Sinatra, Benny Goodman, and Pearl Bailey.
How did Ayres' orchestra influence Perry Como's recordings?
A member of Ayres' orchestra, who was the son of a rabbi, helped Como with the correct pronunciation and phrasing for the songs "Kol Nidrei" and "Eli, Eli" recorded for RCA Victor.
Why did Mitchell Ayres leave Perry Como's shows for The Hollywood Palace?
In 1963, Perry Como was uncertain if he would continue making regular television appearances, which led Ayres to accept the offer to conduct for the new show.
Was Mitchell Ayres recognized with any awards?
Yes, he was nominated for an Emmy award twice—in 1966 and 1968—for his musical contributions to The Hollywood Palace.